Posts Tagged With: editing

BIG Imminent Danger Sequel News!

As you may know, my mother and I have spent the last few months doing an intensive edit of Chasing Nonconformity (sequel to Imminent Danger). And I am almost ludicrously pleased to announce that finally — FINALLY — we’re done!

What does this mean? Well, first, I’m going to spend the weekend re-reading the entire thing to make sure we didn’t do anything too crazy during our editing sessions. Then, early next week, I’m going to send the book out to my top-notch beta reading squad. They’ll read it, send me comments, I’ll spend about a month going through them all and making revisions as necessary, then I do a bit of formatting, and then BOOM! Sequel is published! Summer 2015, baby!

On that note, anyone want to be a beta reader? A few of you have already expressed interest (Misha Burnett, Celeste DeWolfe), and it’s possible others have and I’ve just forgotten about it because my memory is laughably terrible. SO, if you’d like to beta read, please let me know! You’d have about a month to read and send me your comments — and your reward, of course, would be a shout-out in the Acknowledgements section and my eternal gratitude.

That’s all she wrote! Wooooooo!

***

Totally related media of the day:

So as I was SHWOOP-ing over the past 5 months (gasp!), I randomly tweeted fun SHWOOP moments. I shall now share my favorites here. No worries if they don’t make sense out of context — very little that I say or do makes sense.

 

 

 

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Chasing Nonconformity Update

As of yesterday, I have officially hit the halfway point in my exhaustive edit of Chasing Nonconformity. Huzzah!

Mother and I started off our editing “SHWOOP” sessions, as we call them, back in February. We meet on Google Hangout every few days and spend an hour or two working our way through the book. This was very slow going, as it usually consisted of mother reading a sentence, staring at it, deciding she didn’t like it, and then telling me to re-write it with very vague directions on what she thought should change. This might repeat four or five times for a single sentence before we moved on to the next and started the whole process again.

You may think I’m joking, but I’m not. It was taking forever.

Then, a few days ago, inspiration hit. More like common sense. If both of us go through the chapter separately before we meet, we’ll have already ironed out all the wrinkles and the SHWOOP session itself will be smooth sailing!

Has your brain exploded yet? Because mine did.

Anyway, our SHWOOP sessions over the past week have been going phenomenally well. We get at least a chapter done a day–two yesterday!–and we’re practically flying through the book now. It probably also helps that we’ve hit the halfway point and the action’s really picking up, so we may or may not be getting through it faster as a result.

I thought I’d share some random facts about the book with you now, since you’ve all waited so patiently and deserve a teaser. Please note that everything listed below might change–I still need to do my uber-beta-reading round, and comments from that could easily shift things around. Anyway, as promised …

*SPOILER ALERT*

An insider look at the current draft (not final, but getting close) of Chasing Nonconformity

  • # of chapters = 42
  • Current word count = 98,997
  • POV characters = Eris, Varrin, Miguri, & Sebara (new character!)
  • Planets/systems visited = 6
  • # of times Varrin smirks = 14
  • # of times Grashk hisses = 17
  • # of times any character sighs = 66 (oh dear)
  • First sentence in the book = “Sebara paced outside the bronze double doors that led into the private chambers of Trystan Gara’dar, second son of the emperor of Rakor.”

The end.

Unrelated media of the day:

Okay, this is a fun one: Harry Potter quotes taken out of context … (Source)

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Excerpts from SHWOOP editing session #2

SHWOOP editing session #2 went off without a hitch last night, and was once again live-tweeted by yours truly. Here are the highlights:

shwoop 2 tweets

We are now officially 3/4 of the way through … chapter 1. *winces* Yes, I know it’s going slowly! But we are making progress, such as it is, so … yeah, lol.

That’s it for today!

 

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SHWOOP Editing Session #1

I know, I know — what the heck is a “SHWOOP Editing Session?”

That’s what I’m calling my nightly editing sessions with my mother as we attempt to cut Chasing Nonconformity from 106k down to under 100k. And, obviously, revise the book to make it better. It’s not just about chopping out sentences, people!

You may recall mother and I doing something similar for the first book in the series, Imminent Danger. I actually managed to film one of those sessions, resulting in a vlog that still amuses me to this day.

Right. So we’ve started up a new round of editing for the sequel, and it’s going about as well as can be expected. Sadly I can’t record any of these sessions, as we now live in different cities and I don’t know how to record a Google Hangout. If anyone does know, tell me!

And now for the fun stuff.

I attempted to live-tweet the event, which was complicated by the fact that Twitter baffles and frustrates me. That being said, here are 3 of the tweets I did manage to get out into the interwebs:

shwoop 3

shwoop 1

shwoop 2

I’ve also got a couple of quotes from myself and my mother to amuse you:

Me: *opens chapter 1*
Mom: Wait, I haven’t read it. Is this how it starts?
Me: Yes, the content of chapter 1 is how the book starts.

Mom: I’m going to read it out loud as I go, because I’m assuming you’ve read it.
Me: Considering I wrote it …

Mom: What’s a word we use for cats?
Me: *what the heck what does that even mean*

Me: It’s like a big leaning tower of Pisa in space, and each level is a level. You can quote me on that.

Mom: *dying from laughter* Are you saying there’s no chance of her turning her communicator off, but there IS a chance she’d throw it down an air shaft?
Me: Yes.
Mom: *proceeds to laugh for another 3-5 minutes*

Oh! I also have a screencap of mom laughing, because why not:

3

Tune in next time for SHWOOP Editing Session #2!

 

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Categories: My Works, Writing | Tags: , , , , , , , , | 7 Comments

My Winter 2014 Publishing Game Plan

This is a big one, folks, so prepare yourselves!

After a great deal of research and herbal tea, I have roughly mapped out my publishing plans for the next few months. I haven’t worked out timelines yet, but I do have the steps more or less in order, so I thought I’d share them here. As always, I’d love to hear your thoughts/opinions, as you in all likelihood know something I don’t. Thus, without further ado …

My Winter 2014 (and possibly Spring 2015) Publishing Game Plan

  1. Cover reveals for Imminent Danger and Chasing Nonconformity. As you may know, I’m going to split (at some point) from iUniverse and re-publish Imminent Danger via KDP and Createspace. The sequel is getting into the latter stages of editing now, and both books have beautiful new covers, so I’ll be hoping to get you lovely people to help me out with cover reveals in the next month or two.
  2. IndieGoGo Campaign. Okay, this is the big one that I’m really excited about. After that potato salad Kickstarter went viral, I thought to myself, “Self, you can totally run a crowdfunder for your book. It may fail miserably, but you can sure as heck try!” So sometime in the next few months (currently looking at ~December) I’m going to run a crowdfunder for Imminent Danger/Chasing Nonconformity! The concept is pretty simple — you donate a certain amount (to help me pay back the cover designer and assorted publishing-related expenses) and then in return you can choose from a whole bunch of perks. There will be the obvious ones, like eBook copies and signed print copies, but then there will also be some fun stuff (I’m thinking a swag bag with assorted Imminent Danger themed goodies). So if anyone’s run a crowdfunder before and has any tips, please share them!
  3. Re-publish Imminent Danger. Once the campaign’s over, time to re-publish Imminent Danger with its pretty new cover! I’ve also made some minor edits to the book (nothing massive structurally-speaking, just little tweaks to improve the flow of the book), so it might be worth checking out. (wink wink) Also, I’m planning for the IndieGoGo campaign that you automatically get an eBook copy of the new Imminent Danger regardless of how much you donate, so that should be an easy enough way to update your virtual library.
  4. Publish Chasing Nonconformity. No timeline yet on this, as the book’s still being edited, but we’re looking at Spring 2015 at the moment. Once the sequel gets published, I can obviously start sending out all the Chasing Nonconformity-related swag from the IndieGoGo campaign.
  5. Write the third book, tentatively titled Cerulean Bound. Spoiler alert!!! I’ve got the plot mostly worked out (well, the start and the end, at least, lol), so now it’s a matter of writing the darn thing. The first book took me 7 years from start to finish, and the second’s going to take 5, so hopefully we can cut this one down to a year or two.

That’s the plan! Questions and comments welcome and encouraged. Have a wonderful week!

 

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Editing Tip: 10 Ways to Get Past the First Chapter

We shall begin today’s lesson with a personal anecdote.

My current goal is to edit Chasing Nonconformity. This is going very poorly, because every time I sit down and open up the file, it begins on page 1 — also known as Chapter One. Now, logic dictates I would just skip ahead in the document to wherever I need to edit and go from there. But before I do that, I happen to notice a slight re-wording I can do on paragraph three. Okay, that’s better … oh, but I don’t like how Eris rolls her eyes in paragraph five. And I missed a comma in paragraph 7 … maybe I should keep reading …

Three hours later, Chapter One has completely changed for the zillionth time and I’m no closer to finishing the darn draft than when I started.

As I’m learning, the trick to editing a book is to get past the first chapter. Once you’ve broken through that barrier, sky’s the limit! No, I take that back. There is no limit. The first chapter is a pair of steel shackles and you are the Hulk, summoning up your anger, stoking the fires of your wrath, bigger and hotter and higher and flamier until BOOM! Free of the shackles, free of the first chapter, ready to show the rest of your story who’s boss. (relevant link)

Thus, I present to you …

10 Ways to Get Past the First Chapter

  1. Highlight Chapter 1, cut it, and paste it at the end of your document so it isn’t the first thing you see.
  2. Never turn off your computer or close your document file so you can always keep your place in the manuscript.
  3. Hire someone to slap you in the face with a lightly salted salmon fillet every time you try to edit Chapter 1.
  4. Change the font color of Chapter 1 to white text so you can’t see it.
  5. Search “Chapter 2” and don’t look at the screen until you know you’re in the right place.
  6. Hire someone to slap you in the face with a braised lamb shank every time you try to sneak back to edit Chapter 1 whilst pretending to edit the rest of the manuscript.
  7. Hire someone to scream directly in your ear every time Chapter 1 appears on-screen in order to mentally connect the first chapter with complete terror.
  8. Commit a crime and go to jail. Hard to edit Chapter 1 without a computer.
  9. Hire that guy from Inception to sneak into your mind and brainwash you into forgetting Chapter 1 exists.
  10. Summon up some basic willpower and just skip the first chapter.

As you can see, some are more practical than others. I myself will be starting with #3. I wanted to go with #6, but lamb is significantly more expensive than salmon and I am poor.

Thank you for sharing in my madness. For all those Canadians out there, Happy Thanksgiving!

 

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How to Edit a Novel in 10 Easy Steps

For today’s post, we’re going to delve into the distressing topic of editing. Why distressing? Because I hate editing. But you don’t have to follow in my somewhere-between-size-9.5-and-10 footsteps! Not with this handy guide …

 

How to edit a novel in 10 easy steps

  1. Write a novel. You’d think this step is obvious. You’d be right.
  2. Read the novel through and take notes. We’re talking big picture notes here, not spelling mistakes. What do you like? What do you not like? Which characters are interesting and well developed? Which aren’t? Which parts of the story are exciting? Which parts bore the pants off you? Tip: If you’re not wearing pants, put some on, and then see which parts bore them off you.
  3. Re-write your novel. Not the whole thing, necessarily, but as much as you need to in order to fix the problems you identified in step 2. If you didn’t identify any problems in step 2, you’re an adorable little ray of sunshine and you need to get with the program because first drafts are always terrible and if you can’t find at least one thing to fix, we need to have a serious chat.
  4. Give your novel to a trusted friend to read. Ideally, you want to find someone who is both able to provide useful, constructive feedback, as well as able to do so in a manner that doesn’t make you want to curl up into a ball and cry for three months straight. Good luck.
  5. Discuss your novel with the trusted friend. Discuss it at length. Preferably for multiple hours over multiple sessions. You want to hammer out exactly what they liked and what they didn’t, what they think worked and what didn’t, and so on and so forth.
  6. Re-write your novel. You’re still focused on the big picture right now. Make sure you’re consistently spelling your protagonist’s name right later.
  7. Give your novel to a group of beta readers. Again, you want people who are readers in your genre, who know what a book in your genre is supposed to look like, and who are (hopefully) able to explain to you how your book stacks up in comparison. And if it doesn’t stack up, they should be able to tell you why.
  8. Re-write your novel. You know the drill.
  9. Focus on the details. Woo! Best part of the process! Or possibly the worst! You’re almost done now — you just need to make sure everything flows smoothly. Look for inconsistencies, logical flaws, make sure characters don’t randomly change their eye color halfway through, etc. Check your grammar, check your spelling, check your point of view, check your tense (past, present, etc.). If you know anyone who’s good at proofreading, get them in on this step, because doing it by yourself takes forever and you’ll definitely miss something.
  10. Run a spell check. Oh, don’t look at me like that. You’d be shocked how many books have random typos that could have easily been picked up by a simple spell check. Run it. You won’t regret it.

Now, obviously you may need to repeat some of the steps several times. I, for example, like to re-write my books five or six times before I even get to the beta reader stage. But this is the basic process I follow — and now, so can you!

What’s your editing process? Tell me!!!

 

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Hip Hurrah for Editing!

That was a misleading title. I hate editing. It takes forever and it’s tedious and when you have to cut chunks of text it’s soul-crushing. That being said, it’s necessary, and it’s currently the next step I have to take if I ever want to publish Chasing Nonconformity. Thus, I edit!

I’ve been putting it off for several months now, and sometime last week I just got tired of seeing the manuscript sitting on my bedside table. I think my sudden burst of excitement for editing has come about partially because I’ve been playing around with formatting the interior for Imminent Danger. As you may or may not know, I intend to re-publish Imminent Danger in the near future via Amazon KDP (and Createspace), so I’m starting to look into exactly how I’ll go about doing that.

The key to editing for me, I think, is that I just need to get into the writing mood. It doesn’t matter how I get there, but once I’m in, I can force myself to direct my energy toward whichever project needs attention — in this case, Chasing Nonconformity.

As of today, I have finished addressing my editor’s notes on the latest draft. I am now preparing myself to go through the manuscript again, with the intent of ironing out inconsistencies and attempting to cut the manuscript down to size. It’s currently sitting at around 115k words, which is much too long. As you may remember, however, Imminent Danger was once at 120k words, and I got it down to 94k, so I’m cautiously hopefully I can repeat that feat here.

If anyone has any words of wisdom or encouragement for me as I delve back into editing my magnum opus (ha!), please share them with me in the comments below.

 

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Writing Tip: Dialogue Tag DOs and DON’Ts

Today we’re talking about dialogue tags! I already rambled about them in a previous post, but I’m going to ramble some more about them now, so prepare yourself.

 

What is a dialogue tag?

It’s the short phrase you stick after a line of dialogue — i.e., “he said”, “she said”, etc.

 

Simple dialogue tag

Observe the following sentence:

“I love your socks,” he said.

That’s a simple dialogue tag — sentence of dialogue, followed by a dialogue tag. Here are some more:

“Your face is on fire!” she said.

“Are you sure?” he said.

Note:

  • You have to use a punctuation mark at the end of the sentence of dialogue that’s not a period — i.e., comma (most common), question mark (for questions), exclamation mark (for excitement!) — Using a period is effectively ending the sentence, so if you put a period after “I love your socks”, you’re ending the sentence, and then the “he said” is just randomly floating there with no attachment to anything
  • The “he said” or “she said” needs to be decapitalized. If you write something like this — “I love your socks,” He said. — you’re indicating by capitalizing the “he” that either A) God is talking, or B) you’re starting a new sentence and don’t know how to punctuate your sentence of dialogue properly.

 

Dialogue tag before dialogue

Observe:

Staring at her beautiful face, he said, “I’d like to lick your nose.”

So here we’re reversing the order of dialogue and dialogue tag. Note:

  • You need to end the dialogue tag (and thus lead into the dialogue) with a comma or a colon — not a period, question mark, or exclamation mark. Using one of those would indicate the sentence is ending after the word “said”, which means you have a sentence reading: “Staring at her beautiful face, he said.”, which makes no sense at all

 

Dialogue tag in between two pieces of dialogue

Observe:

“How are you doing?” he asked. “Isn’t the weather grand?”

“I wish I could agree with you,” she said, “but I have a ferret up my nose.”

Here we have two variations of “dialogue tag between two pieces of dialogue”. In the first example, we’ve got dialogue with a complete sentence (How are you doing?), and then a second complete sentence of dialogue (Isn’t the weather grand?). Since these are both complete sentences, we put a period after “he asked”. In the second example, the second bit of dialogue is continuing the first bit of dialogue, thus we stick a comma after “she said” to indicate the sentence is still on-going.

 

Using a descriptive sentence instead of a dialogue tag

Observe:

Tracy cleared her throat. “Excuse me, can I please have one albatross-egg omelette, shaken not stirred?”

So here we know that Tracy is speaking, since the first sentence implies fairly heavily that she’s the one talking. It’s not a dialogue tag, because it’s not describing how she’s talking — you can “say”, or “exclaim”, or even “screech” out a sentence, but you certainly can’t “clear your throat” a sentence.

You can also stick the descriptive sentence after the dialogue:

“Where are you going?” Mary pouted at Roger, hoping he would come back and stay with her forever.

Again, “Mary pouted” isn’t a dialogue tag, because you can’t “pout” a sentence. It’s a sentence unrelated to the dialogue, although it still indicates she’s the one talking.

Third example, putting a descriptive sentence between two dialogues:

“My name is Jim.” I’m lying through my teeth, but she doesn’t need to know that. “What’s your name?”

Note:

  • First rule here is that you can’t punctuate dialogue tags and descriptive sentences the same way. If it’s a dialogue tag, it’s attached to the dialogue. If it’s a descriptive sentence, it’s a different sentence entirely from the dialogue. This means you can’t do something like this:

“Hey Bob,” I shake his hand, “what’s cooking?”

  • This is wrong on so many levels. Can you spot them? A) “I shake his hand” isn’t a dialogue tag, so “Hey Bob” should be ending in a period/exclamation mark to indicate the sentence is over ; B) “I shake his hand” needs to end in a period, since it’s a sentence, and sentences don’t end in commas! ; and C) “what’s cooking?” should have “what” capitalized, since it’s the start of a sentence

 

In conclusion …

Dialogue can be really confusing to punctuate!

 

Semi-related media of the day:

In this case, the “problem” referred to in the song is “punctuation rules for dialogue and dialogue tags”.

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Editorial comments from Chasing Nonconformity (Part 2)

I am happy to announce that my editor (i.e. my mother) has returned the latest draft of Chasing Nonconformity back to me, full of comments and ready for revisions! Upon going through said comments, I found some of them quite amusing, and thought I might share them with you here today. This is part 2 of the images, so be sure to check out part 1 to see the first half of her excellent and insightful commentary. Also make sure to check out the caption on each photo for context.

Without further ado …

[SPOILER ALERT] The following images contain snippets of text from the Chasing Nonconformity manuscript. Don’t scroll down if you don’t like spoilers!

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Random scribbles at the bottom of the page. No idea what they mean. Very mysterious.

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Mother misinterprets the verb “snap”.

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Mother gets sassy.

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Mother questions my protagonist’s hygiene.

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… I have no idea.

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Mother makes fun of my inability to keep people’s heights consistent.

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More mysterious, scribbled-out numbers.

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Inscription on the last page of the manuscript. Approved!



Categories: My Works, Self Publishing, Writing | Tags: , , , , , , , | 12 Comments

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