Posts Tagged With: star wars

Awesome news! Imminent Danger is officially available for purchase!

Today is probably the best day of my life, because I can officially announce that my debut novel, Imminent Danger And How to Fly Straight into It, is now for sale everywhere books are sold!

Imminent Danger_blog_soft cover

Woooooooo!

Right, calming down now. I suppose links might be helpful at this point, so let’s see what I can dig up …

Click here to buy a softcover from Amazon.com.

Click here to buy a softcover from Amazon.ca.

Click here to buy an ebook from Kindle (US).

Click here to buy an ebook from Kindle (CA).

Click here to visit my website and see the complete list of online retailer options.

I’m trying to think of witty things to say here, but I’m just too gosh-darned psyched that I can finally call myself a published author. Many thanks in advance to the people who decide to give my creation a shot, and many thanks also to everyone who has supported me through this whole publishing adventure. You guys rock my proverbial socks, and I can give no higher praise than that.

To Imminent Danger! To publishing! To VICTORY!!!!!!

 

Unrelated media of the day:

Categories: iUniverse, My Works, Self Publishing, Writing | Tags: , , , , , , , , , , , , , , , , , , , | 88 Comments

It’s my birthday! + The Next Big Thing Award

First and most importantly, today is my birthday! Woooo! I turn 24 today, which kind of makes me wince, because I assumed I would be doing great things by my near-mid-twenties. That being said, I have a decent job, good friends, and my first book is nearly published, so I guess that’s not too shabby, right? Plus, sushi tonight! Sushi makes everything better.

lolcatbirthday

Right. Now that the main event is over, let’s move on to the other reason for this post: The Next Big Thing Award.

the-next-big-thing

When it rains, it pours, and I have been nominated for this award three times in the past week. So thank you to Mike Akin, The Living Notebook, and Mari Wells for the nominations!

Without further ado, I shall now answer the 10 Next Big Thing questions. Read at your peril.

1)  What is the working title of your novel?

Imminent Danger And How to Fly Straight into It

2)  Where did the idea for the novel come from?

I was taking an Astronomy class in my first year of university, and as I sat listening to my professor regurgitate the contents of our textbook, I thought to myself, “Wouldn’t it be funny if someone who didn’t believe in aliens got abducted by aliens?” Originally the main character was going to be a college Astronomy professor, but then I realized that I would far rather write about someone more my age (plus I have no idea what goes on in college professors’ heads), and thus Imminent Danger was born.

3)  What genre does your novel fall under?

Imminent Danger is YA sci-fi/humour/romance.

4)  Which actors would you choose to play your characters in a movie rendition?

I imagine my characters with different faces every day, but here are my current (slightly impossible) picks:

Young Keanu as Varrin

Emma Watson as Eris

5)  What is the one sentence synopsis of your novel?

Abducted by aliens and stranded light-years from home, a teenage girl is rescued by a handsome mercenary who puts her planet, her life, and her heart in the clutches of imminent danger.

6)  Will your novel be self-published or represented by an agency?

Self-published all the way, baby!

7)  How long did it take to write the first draft of your manuscript?

I finished the first half-ish of the book during the 2006 NaNoWriMo, and then wrote the rest of it over the next six months. I then proceeded to revamp and revise it for approximately six years. I’m sensing a “6” theme here …

8)  What other novels would you compare this book to within your genre?

The humour in my novel is similar to The Princess Bride, and the feel of the story is very Star Wars.

9)  Who or what inspired you to write this novel?

As I said, my Astronomy teacher. Because he basically re-hashed everything we’d already read in our textbooks, I had lots of time in his classes to dream up the plot for Imminent Danger.

10)  What else about your novel might pique the reader’s interest?

Other than the fact that it’s awesome? Well, it has dashing space pirates, six-armed lizard men with an obsession for the colour blue, fluffy-haired gurus, laser-repellent monsters, spiffy spaceships, evil laboratories, sentient balls of light, and much more. It’s got romance, action, comedy, tragedy, danger (of the imminent variety), and a multitude of abductions. Oh yes, and did I mention it’s awesome?

Right! Now I’m supposed to nominate people. I hate this part, because there are so many awesome writers out there on WordPress that I don’t want to snub anyone by not nominating them. Ahhh, the pressure! Okay, here’s what we’re going to do. Everyone who gave editing suggestions on my recent post about Imminent Danger’s back cover text get nominated. Ready?

If I missed you, then my eternal apologies. I officially nominate you in my capacity as birthday girl.

Unrelated link of the day:

Fun with words:

http://imgur.com/a/hBZjh

Categories: Blog-related, My Works | Tags: , , , , , , , , , , | 47 Comments

When is “bad” too bad?

This post was inspired by a book review I read for City of Bones by Cassandra Clare. For those of you who haven’t read it, Jace is the bad-boy love interest who kicks ass, takes names, and is occasionally prone to fits of extreme melodrama. In the review, the reviewer explained that they could barely get through the book because of how much they hated Jace. They thought he was rude, controlling, and a terrible match for the protagonist. I, on the other hand, think he’s delightfully witty and — while at times in need of a sharp whack to the head — an all-around decent guy.

This brings to mind one of my favourite quotes from my mother: Different people are different. 

It always baffles me that people can hate something I hold so dear. Thus, I posit this question: When is “bad” too bad?

The problem with this question is that everyone has a different definition of where “too bad” falls on the badness spectrum. I, for example, have a very high tolerance for some “bad” acts, and a low tolerance for others. I love reading about bad boys who have horrible, twisted, sordid pasts … so long as they’ve reformed and are trying to make amends. One of my favourite characters of all time is Anakin Skywalker — who, if you recall, did terrible things ranging from killing his own master to slaughtering dozens of Jedi younglings. And possibly causing his wife to kill herself? I never really understood that sub plot. Anyway, I’m totally cool with his various evil actions because I tend to forgive bad boys in books as long as they eventually seek redemption.

Others have a slightly lower tolerance for badness. I have a friend who, whenever a main character does something even remotely unkind, will get frustrated, say “That’s not pleasant”, and search for something else to read or watch.

What do you think? What’s that tipping point for you, where you say, “Okay, this character is now irredeemable to me”?

“BAD” ACTIVITY TIME!

List these characters in order of “badness”: (explanations are welcome and encouraged)

  • Severus Snape (Harry Potter)
  • Anakin Skywalker (Star Wars)
  • Gollum (Lord of the Rings)
  • Christian Grey (50 Shades)
  • Edward Cullen (Twilight)
  • President Snow (Hunger Games)

Unrelated video of the day:

Prepare to have your mind boggled by the insanity.

Unrelated image of the day:

Source: http://www.fanpop.com/clubs/severus-snape/forum/post/68241/title/countdown-6000-fans

Source: http://www.fanpop.com/clubs/severus-snape/forum/post/68241/title/countdown-6000-fans
Categories: Writing | Tags: , , , , , , , | 20 Comments

Happy Halloween!

I have seven minutes to write this post before I have to go watch Greek and then sleep, so we’ll keep this quick.

#1: 9-5 work is HARD

Oh. My. God. I am so tired, I cannot even describe how much I want to just fall over at my keyboard. I am not a morning person, and I do not function well without 8 hours of sleep. Ack.

Kudos to everyone out there who does 9-5 on a regular basis. I don’t think I would survive. That being said, I did manage such hours from grades 1-12, so I suppose I would survive after all. And now I’m not making any sense. SEE? SLEEP DEPRIVATION!

#2: Star Wars bought by Disney?

Many people are furious about this. I, personally, think it has great potential. Yes, Disney tends to make things a little more kid-friendly than one would hope — but only sometimes. They did amazingly with The Avengers, the first Pirates of the Caribbean was phenomenal, etc. If they get the right people heading Star Wars VII, it could revitalize the franchise. So yeah, I’m excited.

#3: Sandy

Up here in Ontario we managed to mostly avoid the storm (save for Toronto), which I’m super thankful for. The worst we got hit with where I live was a severe wind warning. It appears living in the frozen north has its advantages.

#4: Out of time

That’s all she wrote, folks. Just thought I should check in and … okay, I’m so tired I forgot why I wanted to write this post in the first place.

Oh yes!

HAPPY HALLOWEEN!!!

Unrelated media of the day:

Not taking sides in the upcoming election, just sharing a funny video. Please don’t start a political debate in the comments!

Thanks to storiesbywilliams for introducing me to this video.

Categories: Random | Tags: , , , , , , , , , | 11 Comments

Musings on dialogue tags

Floccinaucinihilipilificate: to describe or regard something as worthless.

Today’s topic is dialogue tags. In case you haven’t heard this phrase before, a dialogue tag is the “he said” or “she screamed” that goes after a line of dialogue. For example:

“I love you,” she said.

“But our love will never be,” he said.

“How do you know that?” she demanded. “We’re made for each other!”

“No, we aren’t!” he cried. “You’re a human being, and I’m chocolate pudding! The only thing you’re meant for is to eat me!”

“But I don’t even like chocolate!” she wailed.

Etcetera, etcetera. Now, here’s the dilemma. Using only “he said” and “she said” is boring, because they aren’t always just speaking in their normal voices. Sometimes the character needs to bellow, or mutter, or exclaim–it’s like reading an essay otherwise. For example:

“Please don’t kill me!” she said.

“I will consume your flesh and then make love to your extended family,” he said.

“You monster!” she said.

“Oh, you’re one to talk,” he said. “You’re a Lady Gaga fan.”

On the other hand, when a story is riddled down in fancy verbs, the writing gets bogged down. For example:

“Uncle Fred passed away last night,” she bemoaned.

“I had no idea!” he exploded. “How are you?”

“As well as can be, considering,” she ruminated. “Did Dad mention anything?”

“Of course my Dad didn’t say anything,” he belittled. “He’s dead. I’m your cousin, remember?”

I guess the trick is finding a balance between the two. But what’s the right percentage? 60% said, 40% fancy verbs? 30/70? 90/20, if you have poor math skills?

Imminent Danger (my book) is probably about 50/50. My characters get into a lot of emotional situations, so they need emotional dialogue tags. And short of sticking adverbs onto my “he said”s and “she said”s, the only way I can really see to do that is by using fancy verbs.

What’s your fancy verb/said percentage? Extra points if you use poor math skills.

Silly video of the day:

Categories: Writing | Tags: , , , , , , , , | 33 Comments

How do you write a good sequel?

I actually got on this topic because of the following video:

Now, I would like to clarify that I am aware Phantom Menace is a prequel, not a sequel. I do understand the distinction. But it’s basically the same concept — you’re continuing a story that’s already been established.

So here’s my question to you — how do you write a good sequel?

I am currently reworking the sequel to Imminent Danger, that book I keep babbling about that I will be self-publishing sometime this century. And I’m racked with self-doubt (“wracked”?) because it has to be as good as the first book, but I’m not sure how to make it that way. As the fast-talking man in the Star Wars video says, sequels/prequels need to be new and original, but they also have to evoke a feeling of familiarity. So how do we achieve that delicate balance?

My current strategy is to write the story I want to write, then get someone else’s opinion on how it holds up as a sequel. I can’t be a good judge of that, because I wrote it. I’m too close to it to see it clearly for what it is. I think that’s where George Lucas went wrong – he was so confident in his own artistic brilliance that he disregarded other opinions, hence the mediocrity of Phantom Menace and, to a slightly lesser extent, the other two prequels. I’m not going to lie, I actually do quite like Attack of the Clones and Revenge of the Sith (parts of them, anyway), but there’s no way I would ever call them better than the original trilogy.

Another thing I’ve tried doing is going back and reading the first book and writing down the things that I liked about it, the things that made me laugh, the things that made me “awww!”, etc. Then (hypothetically), I will take that list and apply it to the sequel.

I don’t know. What makes a good sequel? How can you ensure a sequel’s as good as the original? Can an author be trusted to reliably evaluate their own work?

Cool news for Chuck/Thor fans:

Zachary Levi (Chuck!) has been cast as Fandral in the upcoming Thor sequel. Fandral, to remind you, is Thor’s Asgardian friend, the skinny, blonde, mustachio-ed guy with the rapier. Or was it a legit longsword? I don’t remember. Anyway, I’m extremely excited because I love Chuck, and I love Thor, and it’s going to be awesome having them together! Click here to read the article and watch Zach’s interview with Leno.

Image cred: http://originaltrilogy.com/forum/topic.cfm/UPDATED-v0-4-Star-Wars-Opening-Crawl-After-Effects-Template-SEE-FIRST-POST/topic/9001/

Categories: Writing | Tags: , , , , , , , , , , , | 23 Comments

3 Awesome Things To Get You Through Friday

Friday is awesome because it’s the last day of the week, but it also sucks because you have to get through the entire work day before you can enjoy your weekend. Here are some fun things I’ve found around the internet that put a smile on my face. Hopefully they’ll cheer you up, too!

#1 I Take It You Already Know

I take it you already know
Of tough and bough and cough and dough?
Others may stumble, but not you,
On hiccough, thorough, lough and through?
Well done! And now you wish, perhaps,
To learn of less familiar traps?
Beware of heard, a dreadful word
That looks like beard and sounds like bird,
And dead: it’s said like bed, not bead –
For goodness sake don’t call it deed!
Watch out for meat and great and threat
(They rhyme with suite and straight and debt).
A moth is not a moth in mother,
Nor both in bother, broth in brother,
And here is not a match for there
Nor dear and fear for bear and pear,
And then there’s dose and rose and lose –
Just look them up – and goose and choose,
And cork and work and card and ward,
And font and front and word and sword,
And do and go and thwart and cart –
Come, come, I’ve hardly made a start!
A dreadful language? Man alive!
I’d mastered it when I was five!

#2 Star Wars Gangsta Rap

#3 The Avengers, Abridged

Note: This is an excerpt from the script. To view the entire script, click here.

The HEROES decide to bring TOM HIDDLESTON back to their BASE, because apparently DUE PROCESS applies to TRICKSTER GODS as well. Suddenly, CHRIS HEMSWORTH shows up and chastises TOM.

CHRIS HEMSWORTH

I have come to stop you, brah!

(pause)

Er, I mean, do I look to be in a gaming mood? Betwixt! Verily!

TOM HIDDLESTON

Brother, it must have taken every ounce of the All-father’s hurberble to plugurble you back to Earth. Let’s discuss it no more.

Suddenly, HEMSWORTH, EVANS, and ROBERT look around and notice it’s their first on-screen appearance together.

CHRIS HEMSWORTH

Quick, someone think of a super contrived reason for us to fight!

ROBERT DOWNEY JR.

I’ll fight you because you want to fight your brother, who I also want to fight!

CHRIS EVANS

And I’ll fight you both because I want you to stop fighting!

They proceed to act out their STATS from THE AVENGERS COLLECTIBLE TRADING CARD GAME and establish they are all EXACTLY EQUAL IN POWER, somehow. Guy on steroids, genius in a robot suit, invincible deity: basically identical.

CHRIS EVANS

Hang on a second, your hammer has decimated everything you’ve ever hit with it, you had no way of knowing my shield or Robert’s armor would protect us. Did you just attempt to straight-up murder us? Don’t change the scene, I want an answer to thi–

Happy Friday!

Categories: Random | Tags: , , , , , , , , , , , , | Leave a comment

Self-Publishing a Free eBook + Party Rock Cantina

Today’s topic is a very subjective one, as everyone I’ve met seems to have different opinions on releasing free eBooks. The concept of free-publishing (as I call it) is to get your name out there as an author in a format that everyone loves – free! On the flip side, as authors publishing our intellectual property that we have slaved over for years, we rankle at the idea of giving away our babies without any form of monetary compensation. Thus the debate: is it a good idea to publish a free eBook?

Why it’s a good idea:

People like free stuff. Online piracy is through the roof, with no indication that it’s going down any time soon. Odds are that if you publish a book, a good percentage of your readership will have downloaded it for free anyway. So why not take matters into your own hands and deliver it free of charge from the very start?

No one will buy a book from an unknown author. I’m not talking about indie authors, I mean authors that nobody knows about. So, logically, you need to become a known author before you publish a book. But how do you get known as an author of awesome books if you haven’t published anything? Catch 22, baby. Unless you publish free eBooks. Then you can spread your literary wings and get your name out there. People are far more likely to download something that’s free because, as I’ve already stated, people like free stuff. You don’t even have to write original fiction – several fanfiction authors I know of have had moderate success publishing original fiction using their fanfiction fanbase as a jump off point. So it’s really all about exposure, exposure, exposure.

It’s a great way to hook an audience onto a series. My mother’s rather rich, rather market-savvy friend, suggested that I release the first book in my Imminent Danger series for free. I didn’t listen to her, although perhaps I should have. Her reasoning was that if I can get lots of people to read the first one for free, they’ll be more likely to shell out a few bucks when the sequel drops. If you look at current best-sellers, the vast majority of them are part of a series. Fifty Shades of Grey, Twilight, Harry Potter, The Girl With the Dragon Tattoo, etc. You lose money at the start, but theoretically you’ll make it up in the long run.

Why it’s a bad idea:

You run the risk of being seen as just another free-eBook author. I don’t know about you, but when I see something offered for free, one of the first things that pops into my head is “What kind of quality can something given away for free really have?” It could be the greatest book in the world, but many people might have a hard time overcoming those sorts of thoughts. And the thought isn’t at all unfounded. Go to a site like Wattpad, where hundreds of thousands of authors post their books for free, and you get a sense of what I’m saying. There are a few real gems hidden there, no doubt, but the vast majority isn’t the greatest literature I’ve ever seen.

You don’t make any money. That sounds kind of haughty, but it’s true. When I was struggling over whether to self-publish with iUniverse or release the book for free, this was one of the main factors in my decision. Here’s my reasoning. Your book is your intellectual property, something you’ve poured your heart and soul into, and you deserve to market and sell it just like any other product. Sell it at a discounted price, because it’s a new book from a new author? Sure. Give free copies as part of giveaways or contests? Absolutely. That’s basic marketing strategy. But give it away for free? This is the same problem that you get when you discuss whether selling an eBook for 99 cents is too cheap. Your book is valuable. It is worth something.

There are other ways to gain fans. You don’t have to give away your book for free to get fans. What about contests and giveaways? What about social media and word of mouth? There are other ways to market yourself.

It ruins your chance for traditional publishing. I don’t know for sure about this one, but logic dictates that it’s true. Self-published authors get taken on by traditional publishers all the time. But what’s the point of a traditional publisher spending all that money releasing your book if you’ve already given it away to the entire world?

Ultimately, it comes down to personal preference.

Both publishing methods have their pros and cons. I myself am considering free-publishing a book I wrote a few years ago. It’s in a completely different universe from my soon-to-be-published Imminent Danger book, and while it’s a light, fun read, I don’t know if it has the staying potential to become a best-seller. It’s tempting to give it a good proof read and release it to the world, but as should be obvious from this post, I’m not sure if that’s such a good idea.

What do you think? Is free-publishing a viable option for self-published authors? Are the pros of free-publishing worth the cons? Have you ever free-published, and if so, was it a good experience? Did it gain you followers and friends that you wouldn’t have reached otherwise?

LMFAO goes Star Wars:

Image cred: http://www.fantasybooksandmovies.com/best-fantasy-books.html

Categories: Self Publishing | Tags: , , , , , , , , , , | 6 Comments

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